Why were the early days of history called the dark ages? Because there were so many knights!: The Future of History in the Digital Age


Throughout the duration of this course, I found Toni Weller’s book History in the Digital Age to be quite helpful. Funnily enough for a digital history class, it is a print book. However, it is a good resource for digital history. The book provides an introduction to digital history and then is broken up into sections: Re-conceptualizing history in the digital age, studying history in the digital age, Teaching history in the digital age, and the future of history in the digital age. I found myself coming to this book a few times during the semester to provide extra insight in the things we were learning.

Another good source was Daniel Cohen and Roy Rosenzweig’s book Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. While the book is a little dated, the information is still helpful and can be accessed online.

Three topics that I found particularly interesting were about copyright, Omeka, and social media.

  • Before this class, I never really put much thought into copyright laws or how they worked. I mean, I knew that you couldn’t just take stuff that wasn’t yours (I’ve read enough plagiarism sections in syllabi to know that). But I did not know things like once you write something, it technically has a copyright, you don’t need to file anything. So it is something that I will be paying closer attention to in the future, especially in digital work.
  • Omeka is an interesting site where people make online exhibits. I didn’t know that an open-source platform existed for something as specific as creating digital exhibits. Going through and looking at some sites made by other groups was interesting and I think knowing about all the things that go into creating a digital exhibit will be helpful to me in the future- like Dublin Core and metadata and simply designing an exhibit in a different format.
  • A professional social media presence is something I do not have, nor am I aiming to have. However, I think that looking at social media accounts that are professional can help. I think it is particularly important because I can see that as something I would have to do in the future, not personally but for an organization. I have experience with social media and I am comfortable on different platforms so I can apply that knowledge and what I have learned from talking about and following other accounts to any organization I work for in the future.

How does Moses make his tea? Hebrews it: Public Historians and Shared Authority on the Web


The National Archives and Records Administration runs the Citizen Archivist project. Using volunteers who register on the website, they are increasing online access to historical records. They crowdsource metadata and information through tagging, transcribing, and adding comments.

Registration is super easy. You just need to create a username and password and they email you a confirmation link and you can immediately start contributing.

They have a section called Citizen Archivist Missions that allow you to click a topic you’re interested in and it gives you a list of records pertaining to that subject for you to transcribe or tag. They have categories like: Marine Corps Activities in World War II and Korea, US Coast Guard Logbooks, Lists, Registered Product Labels, Records Relating to Property Releases, 1949-1951, Pentagon Papers, 1970s America, and Watergate. They also allow you to complete unfinished transcribed documents and provide featured records.

I went into the Registered Product Label section and transcribed a box of Treesweet Canned Lemon Juice, a Letter from the Examiner to the attorneys of Townsent, Loftus, and Abbett, and Mornings Tea Refreshing as the Dawn.

The lemon juice and tea were both product labels and the letter, was well, a letter. It was pretty easy to figure out how to add a transcription or tags but if you can’t figure out they provide a “how to” section.

I think this project is great. It allows for people to get involved in history and making it more accessible to the public. People who are kind of interested in history, or who work in the field, can work with documents they would not always have access too. I’d like to look at more of the written documents because I think that it can be used as good practice for reading older documents. They have a list of rules that need to be followed in order to contribute, so I am assuming that they have people monitoring transcriptions and comment sections making sure everything is running smoothly. Plus, the National Archives gets free labor!

What do you call a detective from the reformation? Martin Sleuther: Making Digital History Relevant

Last week I talked about having a social media presence and how that can relate to history. But besides the popular avenues like Twitter or blogging, how else can historians reach the public? PODCASTS!

I’m very excited about this week. I love podcasts! If you see me out walking around and I have headphones in, there is a good chance I’m listening to a podcast. As a medium, they are great because they are handsfree. I used to have a job cleaning residence hall rooms and to keep myself from going insane while scraping walls for 8 hours a day I would listen to podcasts. I tend to listen to comedy podcasts, but I have also listened quite a bit to ones that tell myths and legends and I am about to start listening to some about true crime.

I realize that I am probably in a minority of people who frequently (and sometimes binge) listen to podcasts. For some people its just not their thing, and for others it may be that they just don’t know where to find them. The other day I was scrolling through podcasts on Spotify looking for a history podcast to listen to and I compiled some pros and cons:


  • It makes history accessible to almost anyone. Most podcasts are free and are set up to be easily understandable. So whether or not you have background in a certain event/time period you will be able to learn without feeling alienated.
  • It is handsfree. You don’t have to read a book. I listen to podcasts when I’m just sitting around, but also if I’m out walking or driving (which are times I probably should not be reading).
  • You can find podcasts on TONS of topics: WWI, WWII, Rome, Ireland, American history, certain objects, etc. Any topic you choose, you’re bound to find someone who is interested in it.
  • History podcasts generally are not presented in a serial way, meaning that you can pick and choose episodes that you want to listen too.


  • Something I know about myself is that I’m very picky. So sometimes, no matter how great or informative a podcast could be, I will not listen to it if the person talks too slow or has a voice that I don’t want to listen to. So as a podcaster, some people might not give it a chance because of something like that. I guess it’s like the whole “don’t judge a book by its cover” but for an aural medium.
  • There are a lot of podcasts (and I know I put this in the pros too but hear me out). With such a large number of podcasts available, some with huge backlogs, it can be overwhelming. If you don’t know where to start to find a podcast you’re interested in, or if you’re like me who likes to listen in order, it can be a daunting task to even start.
  • A lot of people don’t listen to podcasts. They tend to be a forgotten medium and not a place that people first turn to for history. The task of public historians would be to start pushing podcasts, to let people know that they are out there.


Overall, I think this would  be a great medium for public historians to start taking advantage of, but there is a way to go before it will become part of the mainstream. So its something to keep an eye (or rather ear?) out for and if we as historians start talking about podcasts and recommending them to people, in the future it may just become another part of history.

Why do seagulls like to live by the sea? Because if they lived by the bay they would be bagels!: Public History and Social Media

How you present yourself online can have as much of an effect as how you present yourself in real life, which can be good or bad depending on who you are. The big “threat” that people use is that everything you post is out there forever. While that is true, how many people are actually going to be looking that closely at the stuff you are posting?

People use social media for different reasons and therefore their digital personas differ. There are a group of people known as “twitterstorians” who are basically historians on twitter. They run their accounts on a professional level, posting news articles and facts. Generally they are not very personal accounts, unless they are posting opinions on current news or even historical events. What makes them different from me is that they have a professional account and I run personal accounts. For the most part, my goal is not to appeal to professionals and strangers, it is to talk to people I know. I run this blog for class, which is 98% professional and academic and 2% bad jokes and references. I also have started a site for my photography in order to keep my works in an easily accessible place. However, I have many other accounts on different platforms and I don’t see a need to run them in a professional way. That’s not to say I am unprofessional, I try to keep most of the stuff I post appropriate for a general audience because my name is attached to it, but I don’t see a need right now for me to run professional accounts. For example, my twitter currently consists of tweets about podcasts, movies, music, and my terrible sleeping habits.

I do not really have a lot of followers, nor is that my goal. I have accounts because I enjoy the platform (or got sucked in and I can’t leave) and I want to share my thoughts and art with people who want to see them. If you are trying to get followers, I would first start with friends. The support at the beginning of people you know will kickstart your account. From there you can try branching out, replying to similar accounts with your ideas and thoughts and utilizing search tools, like hashtags. Not everyone or every topic is going to be successful so it involves trial and error, but just because your following is small it doesn’t make it worthless so stick with it. An institution has the ability to promote their social media on their website and in the institution on fliers or even activities. For example, I was recently at the Connecticut Historical Society (CHS) where, in their exhibit, they prompted visitors to take pictures and use a specific hashtag when they posted in on Instagram. Other places do contests in a similar fashion. So an institution is going to have an easier time with promotions than a personal account. Just don’t be that person who comments on everything and says “check out my _____” because nobody likes that person and it is a guaranteed way to for me, at least, not to click on it.